Topps Project 2020 just released another Sandy Koufax creation in the last 24 hours. That followed another Jackie Robinson creation in the last 48.
I've decided that if I'm going to purchase one of these Project 2020 cards that it's going to be a Koufax or a Robinson. I don't care about the other players featured. But it has to be a card that appeals to me. The "art" has to appeal to me.
So far, nothing has. Not even the most recent two.
No biggie. I just saved $19.99. And I saved even more if I somehow forgot to order the card and then decided I wanted it days later only to find out it's selling for $50 or $100 or $200 or more on ebay.
Collectors are amazed at how much these cards are going for on the secondary market. And, I admit, I've been astonished, too. Who wants to play $300 for THAT? And then we've been told that you can't look at it like a regular card. These are pieces of ART. The artists themselves (some of them are on the outer fringes of what I would consider artists) have fans and they pursue creations by those artists apparently far more fervently than card collectors do of the cards they want.
OK, so they're pieces of art, not just your "average baseball card."
And I'm saying, "All right, gotcha, now tell me what the hell is this?":
This, to me, is art as well.
Think about it.
Someone had take an image of a player, blur the background behind him to create a "3-D" effect, place a piece of clear, ribbed plastic over the photo, produce a design that is so of its time that nobody could mistake it for any other decade, add a decade-specific color, too, use a border effect that causes the red stripes on the side to dance as you move the card, and, finally, list only the player's last name, which was completely wild for its time.
They even came out of the cereal box in a completely different size than your average Topps card!
Oh, and you have to protect these cards well because they're delicate and surface wear or cracking will devalue your masterpiece.
Tell me that's not art.
I am in the middle of collecting the 1977 Kellogg's 3-D set, the first Kellogg's cards I ever pulled out of a cereal box and placed in my collection.
Kellogg's was about the only competition for Topps during the 1970s. Every year it would release a "stealth" set that you could only find on its cereal boxes, either inside on the box or ordered off the side of the box.
The cards were a total independent creation, from something called "Visual Permagraphics". Kellogg's didn't borrow images from Topps like Hostess did, and although the 3-D design resembled the 1968 Topps test issue, Kellogg's wasn't afraid to put it out on the market for kids to judge for themselves.
Take it from someone who was collecting the cards at the time, shoving his arm into boxes of Frosted Flakes with the same sense of urgency that someone clicks "buy" for a Project 2020 card.
These cards were mind-blowing.
This was as fresh of a design that existed at the time, a mile away from what Topps was showing off in packs. The differences were apparent even on the back of the card: mug-shot images of the player, listing of the player's hobbies, team logos, detailed biographies, stuff you couldn't get anywhere else.
Come on, THIS IS ART.
"But the cards were created 43 years ago."
"We've come so far since then with our digital graphics and street culture and our espn-ifiying of everything."
Yeah, OK, stuff sells because it's new. People need to get in on the latest. They need to feel that buzz.
But that doesn't mean old stuff can't be art or desirable. Look at what's hanging in art museums. Some of that art is centuries old.
Yet, you can get a 40-year-old Kellogg's ART card for just a quarter in many cases.
I shouldn't complain. The cards that interest me are usually not expensive at all and I should remember that always. It shouldn't be "these cards don't get enough credit," it should be "these cards are ignored and thank goodness because I can afford them."
But don't tell me these cards aren't art or any different from the Project 2020 cards.
These Kellogg's cards had to be constructed like those Project 2020 cards. And, unlike most of the Project 2020 cards, there was no previous card to use for inspiration. Each year, Kellogg's unveiled a new creation, all the while they were creating dozens of different kinds of cereal, too. All Topps did extra was throw in a slab of inedible bubble gum with its cards.
Just look at those glasses.
A main reason why I collect cards is because they are rectangular pieces of art. I think a lot of card collectors collect because of that, even if they've never thought in that way before.
But fortunately, most of my card art costs less than $19.99 a card.
Or $300 a card. Or $500 a card. Or ... my goodness, I'm so glad I don't collect Mike Trout cards!