I grabbed another rack pack of Topps Archives a few days ago for the sole purpose of obtaining some more '79s. These are the ones that came out. The old-time legends (Slaughter, Kell) don't do it for me, but ones like Aaron, Kepler and Sheffield are what make this portion of the set shine.
The other cards in the pack were worth a look -- I think Archives has done a finer job duplicating the feel of the respective tributes than past Archives sets have -- but pretty much disposable to me.
Then there was this card:
It's one of those 1969 Supers that is an insert in this year's Archives. I know I am belaboring this point and you're all bored with it, but let's turn it over to the back solely to appease my obsession.
This is the regular "base" version of the insert (no, we're not going to get into how frustrating insert variations are). I know it's the regular base version because I've seen y'all pull these and they all feature the gray cardboard and the blue writing.
Now let's return to the first '69 Super I pulled on my first '16 Archives post.
This one is numbered 22/50 on the back and the writing is black.
I expressed confusion over what this is, both here and on Twitter. The confusion lies in the descriptions of the set, which report that the variations of the '69 Supers are "red backs," which are numbered to 50, and "black backs," which are 1 of 1s.
My instinct is to consider this a "black back," based on the writing. But, obviously, the serial numbering tells me that it is not a 1/1. Instead the serial numbering lines up with what would be a "red back," because it's numbered to 50.
I don't see any red.
I don't think my idea of what is a "red back" and what is not a "red back" is off either. At least one other blogger either assumes or knows that the "red backs" feature red writing.
But where is the red writing?
Ryan Cracknell, former card blogger extraordinaire and now working for Beckett, wondered smartly whether the card stock of my Ross card, numbered to 50, features a redish tint, perhaps justifying the "red back" description.
I compared the base card and numbered to 50 card side-by-side:
You can obviously see a difference. And, in a world in which you're calling one card "red" and one card "not red" and there are no other choices, then, yes, I guess the Ross card back would be "red." It would also be "brown" (a more accurate description as far as I'm concerned), "tan," "cedar," "brick," "wood," "mocha," "brunette," and "clay."
There is a color called "red brown." Even that's a stretch, but at least it was nice looking at the models.
I am going to assume that the Ross card is the "red back" because nothing else is pointing me in a different direction, except for the fact that IT IS NOT RED.
This, of course, would all be taken care of by Topps, and other card companies, with the issuing of visual guidelines when they release sets. They may feel it is not necessary, that it somehow "adds to the fun" of figuring out what's in a set (more likely it adds to the fun for Topps of watching collectors stagger around trying to determine what they have). But when you are issuing sets that contain variations upon variations and inserts upon inserts and parallels upon parallels, some sort of map should be required.
Yes, I know I have a color hang-up. It's well-established.
Everyone else should, too.